Albert Bierstadt’s 1864 canvas Valley of the Yosemite is an imagined reproduction of a frontier landscape painted by an artist whose spiritual visions consolidated the United States' place in the global mindset as the preeminent land of hope, and the destination for countless refugees. Bierstadt himself was an immigrant of German origin who quickly established himself as a self-made careerist through his own shameless self-promotion. Noted for his large-scale works, his choice of subject was informed by a number of journeys the artist took alongside those of the American Western Expansion. In many ways Bierstadt's canvases are the painterly embodiment of the nineteenth-century notion of manifest destiny, the belief in the God-given right to the land of the American pioneers. As clear manifestations of this type of rhetoric, Bierstadt's works remain curiously contrasting visions, resonating with technical precision, European Romanticism, and expansionist nationalism. The artist made his first journey to the American West in 1859, producing a series of paintings that proved to be immensely popular with East Coast audiences. Spurred on by sales, commissions, and populist acclaim, Bierstadt returned to California during the Civil War, finally reaching the area after an arduous journey.

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