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Annunciation 1660-65. The painting by Bartolome Esteban Murillo
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    Gallery Wrap Rolled Canvas

    The artist will add 3 inches (7.5 cm) of extra paint “bleed” to every 4 sides of the canvas. There will still be 1.5 inches (4 cm) of white canvas around all 4 sides of the canvas.

    Stretched
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    W: 3.0 cm
  • R2018-218A
    $342.48
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  • R4613-236
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    W: 3.0 cm
  • R5130-204
    $423.70
    R5130-204
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    $454.19
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    W: 3.0 cm
  • R6731-226
    $474.47
    R6731-226
    W: 7.0 cm
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    R6731-224
    W: 7.0 cm
  • R2833-204
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    R2833-204
    W: 4.0 cm
  • R7034-296
    $474.47
    R7034-296
    W: 6.5 cm
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    W: 2.0 cm
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    R50-005
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    $393.25
    R65-003-1
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  • R4827-414A
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    R4827-414A
    W: 5.5 cm
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    R8645-298
    W: 6.5 cm
  • R4827-224
    $403.42
    R4827-224
    W: 6.5 cm

FRAMING INFORMATION

Annunciation 1660-65

The Annunciation is an oil on canvas by Bartolomé Esteban Murillo. Murillo was a Spanish painter who constituted the Spanish Golden Age, a period in which Spanish art became immensely praised internationally. Creative and expressive artists such as Diego Velázquez, Francisco de Zurbarán, and Murillo himself were creating stunning masterpieces that marked art history. Even though the Baroque period was deeply associated with the Catholic Reformation and had strict rules, painters could reinvent tradition and propose realistic and less-idealized human depictions. Murillo worked closely with many religious institutions during his time while being a master both in portraiture and genre painting. In Annunciation, Murillo approached the piece with a traditional subject.

Murillo's initial production was influenced by Jusepe de Ribera's work and strong tenebrism. From 1649 to 1655, Spain dealt with a catastrophic plague. The incident pushed many artists to deal with a darker approach and devotional images in their production. It was during the same period that Murillo also began his famous genre scenes. Staying in Seville for his whole life, the painter's production began to focus on the city's inhabitants. Murillo worked extensively with children and homeless people in which were incorporated in his artworks with incredible detail. After the plague passed, the tragic sentiment continued for many years.

In 1655, the painter's usual chiaroscuro and earthly palette started to change. Francisco de Herrera el Mozo arrived in the city, and his colorful and luminescent style impacted Murillo's work. While Murillo was a master draughtsman, his work began to have a much more fluid quality in both the brushstrokes and the compositions. The light started to be more diffuse, and he started to employ intense color. Some of the later religious works of Murillo, which have a mixture of heaven, earth, and many angels floating, are now seen closer to the Rococo period than the Baroque.

The Annunciation is an 125 x 103 cm oil on canvas. Archangel Gabriel is seen on the left talking to Mary, who has her hands on her chest and is looking down. The ground has a geometric square pattern, done with white and pink tonalities. Being truthful to his realist side, Murillo placed some objects to the scene, reminding the audience this is a humble home: there is a basket with sheets on the floor and a table with green fabric on it. Above Maria, a heavenly dimension blends with reality, while many angels, a white dove, and light clouds occupy the space in a dynamic arrangement.

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Item Number: 9907921

Annunciation 1660-65

Bartolome Esteban Murillo
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Get hand painted museum quality reproduction of "Annunciation 1660-65" by Bartolome Esteban Murillo. The Reproduction will be hand painted by one of our talented artist. "Annunciation 1660-65" by Bartolome Esteban Murillo Reproduction will come with Free Certificate of Authenticity that verifies the authenticity of the hand painted fine art reproduction you purchased.

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If you're considering not framing your painting at all, you may opt for a Gallery Wrap. The term Gallery Wrap refers to the way the canvas is stretched, which is by wrapping it around thick stretcher bars, about 1.5 inch thick, with the canvas being secured to the back rather than the sides of those bars.

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Annunciation 1660-65

Bartolome Esteban Murillo

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