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The Bolter, #2. The painting by Charles Marion Russell
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  • Unframed
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    Gallery Wrap Rolled Canvas

    The artist will add 3 inches (7.5 cm) of extra paint “bleed” to every 4 sides of the canvas. There will still be 1.5 inches (4 cm) of white canvas around all 4 sides of the canvas.

    Stretched
    $236.51
    Stretched
    W: 3.0 cm
  • R2018-218A
    $342.48
    R2018-218A
    W: 2.5 cm
  • R4613-236
    $342.48
    R4613-236
    W: 3.0 cm
  • R5130-204
    $423.70
    R5130-204
    W: 6.5 cm
  • R6035-220
    $454.19
    R6035-220
    W: 6.0 cm
  • R40-006
    $372.93
    R40-006
    W: 4.5 cm
  • R75-001
    $433.89
    R75-001
    W: 5.5 cm
  • R6929-302
    $454.19
    R6929-302
    W: 6.5 cm
  • R4827-234
    $403.42
    R4827-234
    W: 6.5 cm
  • R3013-236
    $352.66
    R3013-236
    W: 3.0 cm
  • R6731-226
    $474.47
    R6731-226
    W: 7.0 cm
  • R6731-224
    $474.47
    R6731-224
    W: 7.0 cm
  • R2833-204
    $372.93
    R2833-204
    W: 4.0 cm
  • R7034-296
    $474.47
    R7034-296
    W: 6.5 cm
  • R1823-204
    $362.75
    R1823-204
    W: 2.0 cm
  • R45-009
    $433.89
    R45-009
    W: 5.0 cm
  • R50-005
    $352.66
    R50-005
    W: 4.6 cm
  • R65-003-1
    $393.25
    R65-003-1
    W: 5.0 cm
  • R4827-414A
    $403.42
    R4827-414A
    W: 5.5 cm
  • R8645-298
    $575.99
    R8645-298
    W: 6.5 cm
  • R4827-224
    $403.42
    R4827-224
    W: 6.5 cm

FRAMING INFORMATION

The Bolter, #2

While there was at the beginning of the 20th century a particular painting style that could be called Western Art or Cowboy Art, no artist could be said to have embodied that concept as well as Charles Marion Russell, often known as Kid Russell. Having left his family home in Missouri at an early age of 16 to become a cowboy, Russell can be said to have been first a cowboy, albeit a terrible one if the artist himself is to be believed and then a painter. Although his interest in painting predated his trek to the West, it was as a cowpoke and shepherd that Russell would gain fame as a painter.

That fame came, in significant part, from his depictions of the daily life he saw around him, approaching the cowboy life with humor and enthusiasm. Within the universe of cowboy experience, some specific events seem to have especially enthralled Russell, being depicted in various oil paintings and watercolors. While some of those experiences are particularly humorous, others seem to be either very common or an especially riveting aspect of the cowboy’s daily life.

The roping of cattle seems to have been an activity that marveled Russell, and the artist would depict in often and in a variety of ways, including oil on canvas, watercolors, and even bronze sculptures. Russell usually represents the roping maneuver as consisting of two riders, one of which uses his lariat or lasso to rope the steer’s horns or neck, while another rider uses the same tools to rope the animal’s hind legs. While Russell does not often portray the next steps of the process in his works, it would usually consist of both riders securing the rope to their saddles, dismounting, and then proceeding to undertake whatever activity led them to need to rope in the steer in the first place.

In this watercolor from 1903, Russell portrays the roping amid the action, with the leading cowboy having thrown his lariat around the steer’s horns, the rope painted in the moments before it is pulled and tightened around its target. The other rider, further in the back, is still preparing his throw, and his lariat can be seen spinning in the air. With a simple style, Russell expertly portrays intense action and well-trained precision.

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If you have any request to alter your reproduction of The Bolter, #2, you must email us after placing your order and we'll have an artist contact you. If you have another image of The Bolter, #2 that you would like the artist to work from, please include it as an attachment. Otherwise, we will reproduce the above image for you exactly as it is.

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Item Number: 16825842

The Bolter, #2

Charles Marion Russell
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Get hand painted museum quality reproduction of "The Bolter, #2" by Charles Marion Russell. The Reproduction will be hand painted by one of our talented artist. "The Bolter, #2" by Charles Marion Russell Reproduction will come with Free Certificate of Authenticity that verifies the authenticity of the hand painted fine art reproduction you purchased.

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When purchasing a painting on its own, it will arrive rolled inside a secure tube with an extra 1.5" of white canvas on all sides so you can easily frame it in any local frame shop.

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You may choose to purchase your painting framed, in which case, it will arrive "ready to hang". We offer more than 20 beautiful models, all hand finished and expertly assembled by our experienced framers.

Note that for safety reasons we can only frame up to a certain size. Once the maximum size is reached the framing option is automatically disabled.

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Purchasing a Gallery Wrap

If you're considering not framing your painting at all, you may opt for a Gallery Wrap. The term Gallery Wrap refers to the way the canvas is stretched, which is by wrapping it around thick stretcher bars, about 1.5 inch thick, with the canvas being secured to the back rather than the sides of those bars.

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The Bolter, #2

Charles Marion Russell

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