Still utterly unknown besides the circulation of a scant number of photographic reproductions, the mid- to late-nineteenth century Academic painter Eugene Bidau was an accomplished and successful artist who kept himself ensconced within the confines of the more conservative traditions in French painting. His 1888 painting A Peacock and Doves in a Garden is a reflection of the changing character of French social life, demonstrating the popular tastes of the art collecting elites, and representative of the vast land reforms and population shifts between rural and urban life. Many technically-assured artists, generally with a keen eye on the next commission, settled into a life painting imagined reproductions of classical scenes, exotic or oriental figures and objects, and history paintings. Characteristic of one side of French art, Bidau represents the type who preferred to turn his back on capturing the realities of his rapidly changing nation. Choosing instead to represent still lifes, reproductions of exotic and expensive animals, Bidau represented rural life in his own way, allying himself with the Academically sanctioned remnants of a fast-departing Romantic pastoralism.

A Peacock and Doves in a Garden in Wikipedia.

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