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Optional - receive your painting ready to hang. Note we are only able to ship framed paintings up to a certain size. Once the maximum size is reached, the framing option is automatically disabled. If ordered without a frame the painting will arrive rolled inside a protective tube with an extra 1.5" white canvas on all sides so you can easily frame it in any local frame shop.
During Frederic Edwin Church’s tour of Europe and the Near East, which happened between 1867 and 1869, the artist would find inspiration for many of the most famous works developed in the later years of his artistic career, which includes this fantastic and grandiose oil on canvas measuring over two meters in width and a little over a meter in height. Now in possession of the Nelson-Atkins Museum of Art, in Kansas City, the painting finished in 1870, shortly after Church’s return to his studio in New York, exemplifies some aspects of the artist’s style for which he would be both lauded and criticized near the end of his career.
Chief among the positives pointed out about the piece was one of the characteristics Church was most famous for, his attention to detail and the uncanny technique with which he depicted those details. The artist was, of course, very conscious of that characteristic of his work, so that when the piece was first shown to the public, he also included a geographic key presented with it, so that the public might find and identify the many landmarks he took so much trouble to portray. Those landmarks are seen as one would from the Holy City’s most important Christian landmarks, the hill where Jesus Christ would have been betrayed and arrested by his tormentors.
From the famous vantage point, the center stage is occupied by the Dome of the Rock, behind which the city of Jerusalem extends towards the horizon, its white-roofed buildings gleaming in the sun, even though in the skies ominously foretell darker weather. The overall mood of the painting is both hopeful, or at least pious, and obscure, a sensation achieved mostly through the use of a yellow-hued light, a reference to 17th-century religious art for which Church was harshly criticized. Indeed, Church’s work near the end of his career, primarily that which was produced as a consequence of his 1867 tour, seems to lack the ardent fervor seen in his earlier painting, nor did they reach anything resembling the recognition and fame achieved by the artist’s paintings having the magnificent landscapes of the Americas as their subject matter.
That does not, of course, diminish the piece, for its value lies not in following the same tendencies of Church’s earlier career, but instead in being its new style.
Real Oil Paints, Real Brushes, Real Artists, Real Art. The Certificate of Authenticity which arrives with every painting provides an assurance and verifies the authenticity of the hand painted fine art reproduction you purchased. Each oil painting is created by hand using only the finest canvas and oil paints available.
Important Notes About Your Painting:
If you have any request to alter your reproduction of Jerusalem From The Mount Of Olives, you must email us after placing your order and we'll have an artist contact you. If you have another image of Jerusalem From The Mount Of Olives that you would like the artist to work from, please include it as an attachment. Otherwise, we will reproduce the above image for you exactly as it is.
Free shipping is included in the price of the painting. Once the painting is ready and dry enough to ship, we will roll it and ship it in a sturdy cardboard tube.
We always ship express via courier to ensure your order reaches you as soon as possible - normally within three business days. The total delivery time from the moment you place your order until the package is delivered to your door is normally between three to four weeks.
If, in the unlikely event you were dissatisfied with the painting after reviewing it in person, it can be returned for a full refund for up to 365 days after delivery.
When you receive the painting; you are free to return it for more revisions or else for a full refund minus our actual shipping cost -- which is, on average, $25 per painting.
1st Art Gallery provides a full warranty covering manufacturing and material defects for paintings purchased from our website. The warranty covers damage for normal use. Damage caused by incidents such as accidents or inappropriate use are not covered.
Depending on the degree of damage to the warranted painting, it will either be repaired or replaced. This warranty service is provided free of charge.
When purchasing a painting on its own, it will arrive rolled inside a secure tube with an extra 1.5" of white canvas on all sides so you can easily frame it in any local frame shop.
You may choose to purchase your painting framed, in which case, it will arrive "ready to hang". We offer more than 20 beautiful models, all hand finished and expertly assembled by our experienced framers.
Note that for safety reasons we can only frame up to a certain size. Once the maximum size is reached the framing option is automatically disabled.
If you are planning to frame your painting yourself,
use an existing frame, or frame it locally, you may choose to order your painting with a stretching service,
meaning that it will arrive mounted on wooden bars.
If you're considering not framing your painting at all, you may opt for a Gallery Wrap. The term Gallery Wrap refers to the way the canvas is stretched, which is by wrapping it around thick stretcher bars, about 1.5 inch thick, with the canvas being secured to the back rather than the sides of those bars.
All orders ship with UPS, FedEx or DHL and will arrive directly to your home or office. A tracking number will be emailed to you as soon as the order leaves our studio so you can track it online. All orders ship express and usually arrive within 4-5 days from the shipping date. Due to shipping restraints, many of our framed, stretched, and oversize paintings may take 6-21 days for arrival depending on the safest route determined by the postal service.