Frederic Remington’s A Dash for the Timber, painted in 1889 when the artist was only 28, can be seen as the product of a number of formative travels Remington took across the 'wild' American west. Combining his hero-worship and subsequent mythologizing of the humble cowboy, with his fascination with the preeminent photographer of movement, Eadweard Muybridge, Remington created works of drama, motion, and legend. First submitting sketches of his early trips to popular contemporary magazines such as Outing, The Century Magazine and Harper's Weekly, Remington soon found an audience for his figurative reproductions of living myths.
Supplying an eager audience with documentary-style images of how wild-west enthusiasts had convinced themselves lay in those lawless lands, the artist became the favorite of the rough-and-tumble, macho President Roosevelt. A Dash for the Timber is consequently a prime example of the enterprising young Remington entering the public consciousness of American myth-making.
Remington's popularity stemmed from his rejection of the established norms of success. Painting wholly American subjects at a time when spiritual landscapes was the norm and shunning the prerequisite of studying in Europe when it was seen as essential for a successful painter, Remington began focusing on large-scale canvases once he had consolidated his position as the nation's most popular magazine illustrator. Drawing on his vast store of drawings, sketches and experiences from his previous trips west, Remington focused solely on staging figurative reproductions of everyday life in the American West. Capturing this scene while on assignment with Harper's Weekly alongside General Cook on the trail of Geronimo, the rebel Apache, Remington’s depiction of the horse's limbs in movement was triggered by his respect and study of the works of the pioneering horse studies undertaken Muybridge. Utterly rejecting landscapes, Remington painted in A Dash for the Timber to the brief his commissioner defined as “a life-threatening situation”, a theme which would resonate in much of his work.
Real Oil Paints, Real Brushes, Real Artists, Real Art. The Certificate of Authenticity which arrives with every painting provides an assurance and verifies the authenticity of the hand painted fine art reproduction you purchased. Each oil painting is created by hand using only the finest canvas and oil paints available.
Important Notes About Your Painting:
If you have any request to alter your reproduction of A Dash for the Timber, you must email us after placing your order and we'll have an artist contact you. If you have another image of A Dash for the Timber that you would like the artist to work from, please include it as an attachment. Otherwise, we will reproduce the above image for you exactly as it is.
Free shipping is included in the price of the painting. Once the painting is ready and dry enough to ship, we will roll it and ship it in a sturdy cardboard tube.
We always ship express via courier to ensure your order reaches you as soon as possible - normally within three business days. The total delivery time from the moment you place your order until the package is delivered to your door is normally between three to four weeks.
If, in the unlikely event you were dissatisfied with the painting after reviewing it in person, it can be returned for a full refund for up to 365 days after delivery.
When you receive the painting; you are free to return it for more revisions or else for a full refund minus our actual shipping cost -- which is, on average, $25 per painting.
1st Art Gallery provides a full warranty covering manufacturing and material defects for paintings purchased from our website. The warranty covers damage for normal use. Damage caused by incidents such as accidents or inappropriate use are not covered.
Depending on the degree of damage to the warranted painting, it will either be repaired or replaced. This warranty service is provided free of charge.