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Pony Tracks in the Buffalo Trails. The painting by Frederic Remington
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    W: 3.0 cm
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    R2018-218A
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    W: 6.5 cm
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    W: 7.0 cm
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    W: 7.0 cm
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    R4827-414A
    W: 5.5 cm
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    $662.96
    R8645-298
    W: 6.5 cm
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    $452.49
    R4827-224
    W: 6.5 cm
Pony Tracks in the Buffalo Trails

Born in 1861, the New-Yorker Frederic Remington lived a wealthy and comfortable early life, having gone to college at the prestigious Yale University. Later in his life, he would head West, coming into contact with what he perceived as the dying culture of the cowboys who tamed the Wild West. Having fallen in love with that culture and everything it represented, Remington would then dedicate his life and career to the depiction of it, becoming one of the most important influences in the construction of the cowboy persona and the legend of the conquest of the West.

In this oil on canvas, painted in 1904, Remington took a slight ideological turn from his usual discourse, in that most of his paintings would depict cowboys and Native Americans as natural enemies. In a lot of what is called Western Art, the cowboy is described as the hero, facing down the perils of the West with nothing but his ingenuity, his guts, his trusty horse and a quick six-shooter on his hip. Here, a slightly older Remington depicts a less antagonistic relationship between the savage Native American and the brave cowboy, which interestingly is likely to be much closer to reality.

The painting shows an almost symbiotic relationship between a trio of Native American scouts and a troop of soldiers, who work together to find a herd of buffalo, presumably to feed the line of troopers that gets lost behind the dust. It is interesting to note that two of the scouts are wearing clothes that seem to have been provided by the soldiers, indicating that this is part of some trade. The mood of the scene is quite light, differently from the suspenseful confrontations between cowboys and Native Americans usually depicted by Remington, even though there seems to be a level of distrust on behalf of the officer riding front and center, who keeps his hand near his gun and his eyes locked on the closest scout.

Initially meant for publication in the Colliers Weekly magazine as a centerfold, the oil painting is now in possession of the Amon Carter Museum of American Art in Fort Worth, Texas. Truly a brilliant example of Remington’s control of mood with his choices on color and lighting, which often set him apart from his contemporaries.

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If you have any request to alter your reproduction of Pony Tracks in the Buffalo Trails, you must email us after placing your order and we'll have an artist contact you. If you have another image of Pony Tracks in the Buffalo Trails that you would like the artist to work from, please include it as an attachment. Otherwise, we will reproduce the above image for you exactly as it is.

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Pony Tracks in the Buffalo Trails Frederic Remington

Item Number: 16767197 show sizes in cm
Painting Price: $368.99
Total Price: $368.99
you SAVE 55% Compared to Local Galleries $664.18
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Purchasing without a frame (unstreched canvas)

When purchasing a painting on its own, it will arrive rolled inside a secure tube with an extra 1.5" of white canvas on all sides so you can easily frame it in any local frame shop.

Purchasing a frame

You may choose to purchase your painting framed, in which case, it will arrive "ready to hang". We offer more than 20 beautiful models, all hand finished and expertly assembled by our experienced framers.

Note that for safety reasons we can only frame up to a certain size. Once the maximum size is reached the framing option is automatically disabled.

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If you are planning to frame your painting yourself, use an existing frame, or frame it locally, you may choose to order your painting with a stretching service, meaning that it will arrive mounted on wooden bars.

Purchasing a Gallery Wrap

If you're considering not framing your painting at all, you may opt for a Gallery Wrap. The term Gallery Wrap refers to the way the canvas is stretched, which is by wrapping it around thick stretcher bars, about 1.5 inch thick, with the canvas being secured to the back rather than the sides of those bars.

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Stretched, Gallery Wrapped and Framed paintings are covered with protective bubble wrap, separated by foam board and then carefully put into the cardboard box.
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