John Singer Sargent’s Street in Venice, part of a wider series and painted in 1882, shuns the celebrated image of Venice for a more felt and directly experienced reproduction of a local scene. Most probably painted during the siesta due to the empty street and the closed shops, Sargent’s canvas juxtaposes the sombre vitality of the young woman with the looming length of the shadows. Two men, cast into obscurity and rendered slightly malevolent within the gloom, observe the scene deep in conversation. Blown from behind by a sharp gust of wind, this is an image of Venice that was intended to provoke and offend the Paris Salon that had a quite different conception of the fabled city in their minds. Displaying a clear influence of Velázquez, Sargent also employs the embryonic art of street photography to capture what appears to be a ‘snapshot’. Featured almost in monochrome save for some brief flashes of red fabric adorning the girl, Sargent’s Venice was certainly a world away from the popular tourist trails.

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