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The oil painting Helvoetsluys ships going out to sea rendered by the English artist Joseph Mallord William Turner dates back to 1832, and it is one sample of Turner’s main subject: marines. It shows a fleet of ships at Sea.
In the center of the composition, there is a sailing boat which stands out from the rest of the vessels, for its sails are brighter than any other in the composition. The foreground shows a very dark shade of color, which gives the sensation that there is a possibility of stormy weather. In the distance, we can see many ships that are starting the journey along with these in the foreground.
Turner organized the composition in a way that the sky takes over two-thirds of the height of the canvas. With this proportion, the sky seems overwhelming and the ships, especially the ones dissolving into the distance, seem insignificant. Here, the artist used, with oil paints, techniques he had developed for watercolors. The result are layers of colors which he applied mainly in the sky.
The color palette is composed mainly of variations of blue. The hues of the clouds do not reinforce the idea of rain, but the direction Turner applied the paint give the impression of a drizzle. His intention might also have been of depicting sunbeams.
This confusion comes from the way Turner manipulated the materials. In a more advanced phase in his artistic production, we can see elements lost in a blur of paint. The Helvoetsluys ships going out to sea is a prior state of this phase.
This embracement of the two-dimensionality of the support makes Turner’s style resemble that of the Impressionists, though the Impressionism would only start after Turner’s death, in 1851.
William Turner was part of the Romanticism. He, like his contemporaries, depicted nature as something sublime. However, Turner went further and sought to express also the mood and sensations that nature transmitted when someone would interact with its phenomena. He was frequently criticized for this way of rendering nature with which he made it clear that the paintings were paint on a support, in opposition to the mainstream style of the Romantics. The widespread idea of the time was to render the beauties of nature in the most realistic manner, but at the same time making it look as fascinating as possible.
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Important Notes About Your Painting:
If you have any request to alter your reproduction of Helvoetsluys ships going out to sea, 1832,
you must email us after placing your order and we'll have an artist contact you.
If you have another image of Helvoetsluys ships going out to sea, 1832
that you would like the artist to work from, please include it as an attachment. Otherwise, we will reproduce the above image for you exactly as it is.
- Ordered without a frame, it will be delivered in protective tube within 21-28 business days.
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Depending on the degree of damage to the warranted painting, it will either be repaired or replaced. This warranty service is provided free of charge.
Helvoetsluys ships going out to sea, 1832
Item Number: 18654149
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- 48” x 35”$612.99
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- 72” x 48”$944.99
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Purchasing without a frame (unstreched canvas)
When purchasing a painting on its own, it will arrive rolled inside a secure tube with an extra 1.5" of white canvas on all sides so you can easily frame it in any local frame shop.
Purchasing a frame
You may choose to purchase your painting framed, in which case, it will arrive "ready to hang". We offer more than 20 beautiful models, all hand finished and expertly assembled by our experienced framers.
Note that for safety reasons we can only frame up to a certain size. Once the maximum size is reached the framing option is automatically disabled.
Purchasing a Stretching Service
If you are planning to frame your painting yourself,
use an existing frame, or frame it locally, you may choose to order your painting with a stretching service,
meaning that it will arrive mounted on wooden bars.
Purchasing a Gallery Wrap
If you're considering not framing your painting at all, you may opt for a Gallery Wrap. The term Gallery Wrap refers to the way the canvas is stretched, which is by wrapping it around thick stretcher bars, about 1.5 inch thick, with the canvas being secured to the back rather than the sides of those bars.
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Unframed paintings are covered with a special protective film, are gently rolled and then placed inside a strong specially designed tube.
Stretched, Gallery Wrapped and Framed paintings are covered with protective bubble wrap, separated by foam board and then carefully put into the cardboard box.
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