Joseph Mallord William Turner’s Lifeboat and Manby Apparatus going off to a stranded vessel making signal blue lights of distress, painted around 1831 by the much-lauded ‘painter of light’ is a turbulent ancestor of the serene Impressionist canvases of Monet and Renoir. Turner, the British Romantic painter is remembered for raising landscape painting to a degree of acclaim and artistic merit, championing the dramatic movements of nature over the then-ubiquitous genre of history painting. The apparatus featured in the painting, named after its inventor, was a method of lifesaving from shipwrecks performed by firing a stone at the end of a rope from a mortar on the shore and devised by Manby in Yarmouth for a vessel that was once stranded there. A magnificent canvas full both of the warmth of life and fraught with an anxious energy, Turner’s Lifeboat and Manby Apparatus going off to a stranded vessel making signal blue lights of distress is a proto-Impressionist reproduction of a typically Romantic scene.

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Lifeboat and Manby Apparatus at the VAM.

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