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Optional - receive your painting ready to hang. Note we are only able to ship framed paintings up to a certain size. Once the maximum size is reached, the framing option is automatically disabled. If ordered without a frame the painting will arrive rolled inside a protective tube with an extra 1.5" white canvas on all sides so you can easily frame it in any local frame shop.
This oil portrait was produced between 1513 to 1516 during the High Renaissance period and is believed to be Leonardo Da Vinci’s last painting. The original piece can be found at the Louvre Museum in Paris, France.
It’s possible to observe St. John the Baptist positioned right in the middle of the painting on a steady symmetrical layout. Behind him, there is the shadow of a thin cross. The whole painting is dark, possibly due to the media it was painted on, the walnut wood, as well as to the chiaroscuro technique. Regardless of provenance, such tint, instead of sobering the painting, enhances the contrast and highlights the saintly character portrayed.
St. John the Baptist has a candid facial expression and looks straight up at the viewer. He carries a grin on his face that strongly resembles Leonardo Da Vinci’s most famous piece, the Mona Lisa. He presents a bulky silky curly hair and an angelical atmosphere that was considered by many people androgynous and offensive. He points at the heavens with his right hand, and this might be one of the strongest symbolic points of the painting, as he represents the importance of the salvation through the baptism.
The gesture on this painting, one of the first to reference the salvation through the pointing finger to the heavens, became a model for later Renaissance religious paintings and had a strong influence on the several movements that followed, especially the successor Mannerism.
This painting became controversial not only for the delicate feminine characteristics on Saint John the Baptist’s facial expression but also for his unorthodox body language. He folds his arms over his chest covering his breasts with pelts and tilts the head to the side, a pose commonly seen in female portraits of the time, thus reinforcing the androgynous aspect of his figure.
He comes out of the darkness with soft rounded shapes, enhanced by the sfumato technique, a strong characteristic of the Renaissance. In his notes, Leonardo Da Vinci registered his concerns that the figure wouldn’t pop from the background or seem detached. From a distance, the enlightened parts become more evident, but when observing this painting from up close, it’s possible to distinguish the subtle details on the clothes and hair from the darker parts in the background.
Real Oil Paints, Real Brushes, Real Artists, Real Art. The Certificate of Authenticity which arrives with every painting provides an assurance and verifies the authenticity of the hand painted fine art reproduction you purchased. Each oil painting is created by hand using only the finest canvas and oil paints available.
Important Notes About Your Painting:
If you have any request to alter your reproduction of St John the Baptist 1513-16, you must email us after placing your order and we'll have an artist contact you. If you have another image of St John the Baptist 1513-16 that you would like the artist to work from, please include it as an attachment. Otherwise, we will reproduce the above image for you exactly as it is.
Free shipping is included in the price of the painting. Once the painting is ready and dry enough to ship, we will roll it and ship it in a sturdy cardboard tube.
We always ship express via courier to ensure your order reaches you as soon as possible - normally within three business days. The total delivery time from the moment you place your order until the package is delivered to your door is normally between three to four weeks.
If, in the unlikely event you were dissatisfied with the painting after reviewing it in person, it can be returned for a full refund for up to 365 days after delivery.
When you receive the painting; you are free to return it for more revisions or else for a full refund minus our actual shipping cost -- which is, on average, $25 per painting.
1st Art Gallery provides a full warranty covering manufacturing and material defects for paintings purchased from our website. The warranty covers damage for normal use. Damage caused by incidents such as accidents or inappropriate use are not covered.
Depending on the degree of damage to the warranted painting, it will either be repaired or replaced. This warranty service is provided free of charge.
When purchasing a painting on its own, it will arrive rolled inside a secure tube with an extra 1.5" of white canvas on all sides so you can easily frame it in any local frame shop.
You may choose to purchase your painting framed, in which case, it will arrive "ready to hang". We offer more than 20 beautiful models, all hand finished and expertly assembled by our experienced framers.
Note that for safety reasons we can only frame up to a certain size. Once the maximum size is reached the framing option is automatically disabled.
If you are planning to frame your painting yourself,
use an existing frame, or frame it locally, you may choose to order your painting with a stretching service,
meaning that it will arrive mounted on wooden bars.
If you're considering not framing your painting at all, you may opt for a Gallery Wrap. The term Gallery Wrap refers to the way the canvas is stretched, which is by wrapping it around thick stretcher bars, about 1.5 inch thick, with the canvas being secured to the back rather than the sides of those bars.
All orders ship with UPS, FedEx or DHL and will arrive directly to your home or office. A tracking number will be emailed to you as soon as the order leaves our studio so you can track it online. All orders ship express and usually arrive within 4-5 days from the shipping date. Due to shipping restraints, many of our framed, stretched, and oversize paintings may take 6-21 days for arrival depending on the safest route determined by the postal service.