Odilon Redon’s Buddha in His Youth, painted in 1904, is a startlingly evocative canvas reminiscent of both Redon’s contemporary Gustav Klimt and the Surrealist movement that would follow some two decades later. Born in Bordeaux, Redon served in the Franco-Prussian war as a young man, remaining in Paris to paint unconventional charcoal drawings and lithographs in black and white. An enigmatic and truly idiosyncratic talent, the artist spent his talent sketching imagined reproductions of characters from Edgar Allen Poe’s writings, rendered as insect-like, mutable creatures. Remaining unknown until his drawings were used to illustrate J.K. Huysmans's novel A Rebours in 1884, Redon became associated with the Decadent movement that fused late-Romanticist imagery with a collaborative approach to art and literature. Turning to painting in the 1890s, Redon finally began to experiment with color, unleashing his powers for buoyant pallets and colorscapes that had lain dormant in his time working in black and white.

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