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1st Art Gallery offers the option to receive your painting ready to hang or rolled in a tube.
Currently, for safety, we're able to ship framed paintings only up to a certain size. Once the maximum size is reached, the framing option is automatically disabled.
However, if you are interested in stretching or framing a painting larger than 24x36 inches (60x90 cm), please contact one of our customer success associates or let us know in your order notes. We will send you a catalog of our large framing styles and pricing options.
Unframed rolled canvas orders will arrive rolled inside a protective tube with an extra 1.5" white canvas on all sides so you can easily frame it locally.


After the initial elation and novelty caused by the new and exotic life he met in Tahiti started to wear off, Paul Gauguin began focusing on portraying life in the islands as he understood and felt it. Resulting from that, he would produce some paintings which made explicit the cultural contrasts between France and Polynesia. That is to say that Gauguin portrayed mainly what shocked his inner French prejudices and morals, as part of his process to internalize the new culture, thus releasing him from what he believed to be the firm grasp of Western decadence over the artistic profession.
Part of that effort was this oil on canvas, finished in 1892 and now in possession of the Pushkin State Museum of Fine Arts, in Moscow, Russia. A watercolor study of the same piece was also released two years later and is currently in a show at the Art Institute Chicago. In this piece, Gauguin explores the intimate life of the islanders, portraying a candid moment between two Tahitian women, who he claimed were sisters, lounging in the nude on the sand of the beach in poses he compared to the voluptuous grace of resting beasts.
According to the artist, he had observed the pair of sisters resting after having a nice bath and heard them talking about their sexual exploits on the night before, as well as about the exploits they hoped and planned to have in the future. At some point, one of them would have asked the other if she was jealous, a phrase which Gauguin would transcribe phonetically onto the bottom left of the canvas. What surprised the artist the most was that the jealousy mentioned was not about possessiveness or a threat to an exclusive love affair, but more of a matter of one sister feeling that her sibling had had better or more numerous encounters.
In that way, Gauguin expresses here is that in that tropical paradise he had found in Tahiti, sexual encounters were met not with the seriousness and pomp that they carried in 18th century Europe, but with a spirit of playfulness and freedom. That aspect is reinforced by his choice of color palette, painting the scene with warm hues that evoke not only the fraternal love shared at that moment but also the idea that sexuality hangs in the Tahitian air, painting the world in pink, so to say.
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Real Oil Paints, Real Brushes, Real Artists, Real Art. The Certificate of Authenticity which arrives with every painting provides an assurance and verifies the authenticity of the hand painted fine art reproduction you purchased. Each oil painting is created by hand using only the finest canvas and oil paints available.
Important Notes About Your Painting:
If you have any request to alter your reproduction of Aha Oe Feii Aka What Are You Jealous, you must email us after placing your order and we'll have an artist contact you. If you have another image of Aha Oe Feii Aka What Are You Jealous that you would like the artist to work from, please include it as an attachment. Otherwise, we will reproduce the above image for you exactly as it is.
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Free shipping is included in the price of the painting. Once the painting is ready and dry enough to ship, we will roll it and ship it in a sturdy cardboard tube.
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