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The Reproduction Process

Two Satyrs 1618-19 by Rubens - Reproduction Oil Painting
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  • Stretched
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    $201.69
    W: 3.0 cm
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    R2018-218A
    $298.61
    W: 2.5 cm
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    R4613-236
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    W: 3.0 cm
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    R5130-204
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    W: 6.5 cm
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    W: 6.0 cm
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    W: 4.5 cm
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    W: 5.5 cm
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    R6929-302
    $400.79
    W: 6.5 cm
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    R4827-234
    $354.36
    W: 6.5 cm
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    R3013-236
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    W: 3.0 cm
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    R6731-226
    $419.35
    W: 7.0 cm
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    R6731-224
    $419.35
    W: 7.0 cm
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    R2833-204
    $326.47
    W: 4.0 cm
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    R7034-296
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    W: 6.5 cm
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    R1823-204
    $317.15
    W: 2.0 cm
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    W: 5.0 cm
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    R50-005
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    W: 4.6 cm
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    R65-003-1
    $345.05
    W: 5.0 cm
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    R4827-414A
    $354.36
    W: 5.5 cm
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    R8645-298
    $512.20
    W: 6.5 cm
  • R4827-224
    R4827-224
    $354.36
    W: 6.5 cm
Two Satyrs 1618-19

Peter Paul Rubens, one of the most essential Flemish artists during the Baroque period, often worked with bright palettes evoking beauty and enchantment. He was a scholar of the human body, drawing exuberant shapes full of curves and contours, creating sensual figures. His artworks are filled with drama and meaning.

The incredible piece Two Satyrs was created at a time where he was already living in Antwerp, returning from Italy. He was also experimenting with other forms of art and producing some series of engravings and printmaking pieces. It’s possible to see the influence of these studies in this painting. The figures are portrayed from a close perspective. The first Satyr is posing to the painter, looking straight ahead, while the other one is drinking from a bowl, distracted amidst his own act. The artists' compositional choices in this artwork set it apart from his entire production until then. Since, prior to this piece, there are single portraits of noblemen posing, or full body paintings telling narratives from Biblical and mythological stories. But at this point in his career, Rubens began working with a layout that brings the viewer closer to the subject matter and creates a familiar and interactive atmosphere of mythical and historical figures.

The first Satyr has brown curly hair, ornamented with beautiful leaves. The hair is pulled back by his horns, showing his cheeky facial expression completely. His cheeks and nose are red as if he had drunk too much wine. His bold eyes are looking straight ahead as if defying the viewer to look at him. His curly, smooth, silky beard runs down his face all the way to his chest. His muscular body is covered by a pelted piece of cloth. It is possible to see the shapes of his arm, and his beautifully detailed hand is holding a bunch of green grapes.

The Satyr behind him has light hair, and it is not possible to define the shape of his hair and horns. He also has blushed cheeks and nose, which is long and pointy, with no beard. He is drinking from a shallow bowl, but the clear liquid is clearly not wine. Both figures stand in front of the painter with no landscape as a reference. They stand against a dark background, creating a sharp contrast that was not very common in Rubens’ pieces.

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Important Notes About Your Painting:

If you have any request to alter your reproduction of Two Satyrs 1618-19, you must email us after placing your order and we'll have an artist contact you. If you have another image of Two Satyrs 1618-19 that you would like the artist to work from, please include it as an attachment. Otherwise, we will reproduce the above image for you exactly as it is.

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Depending on the degree of damage to the warranted painting, it will either be repaired or replaced. This warranty service is provided free of charge.

Two Satyrs 1618-19 Peter Paul Rubens

Item Number: 10135096 show sizes in cm
Painting Price: $266.99
Total Price: $266.99
you SAVE 55% Compared to Local Galleries $480.58
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Purchasing without a frame (unstreched canvas)

When purchasing a painting on its own, it will arrive rolled inside a secure plastic tube with an extra 1.5" of white canvas on all sides so you can easily frame it in any local frame shop.

Purchasing a frame

You may choose to purchase your painting framed, in which case, it will arrive "ready to hang". We offer more than 20 beautiful models, all hand finished and expertly assembled by our experienced framers.

Note that for safety reasons we can only frame up to a certain size. Once the maximum size is reached the framing option is automatically disabled.

Purchasing a Stretching Service

If you are planning to frame your painting yourself, use an existing frame, or frame it locally, you may choose to order your painting with a stretching service, meaning that it will arrive mounted on wooden bars.

Purchasing a Gallery Wrap

If you're considering not framing your painting at all, you may opt for a Gallery Wrap. The term Gallery Wrap refers to the way the canvas is stretched, which is by wrapping it around thick stretcher bars, about 1.5 inch thick, with the canvas being secured to the back rather than the sides of those bars.

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Unframed paintings are covered with a special protective film, are gently rolled and then placed inside a strong specially designed tube.
Stretched, Gallery Wrapped and Framed paintings are covered with protective bubble wrap, separated by foam board and then carefully put into the cardboard box.
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