Philosopher in Meditation painted in 1632, and commonly attributed to Rembrandt, is one of the dominant pieces of the collection of the Musée du Louvre, Paris. Signed "RHL-van Rijn", an unusual signature in the artist’s chronology, many have questioned the attribution of the painting to the Dutch master. But Philosopher in Meditation, as it is commonly titled, is no imitation or reproduction. Coinciding with Rembrandt’s move from Leiden to Amsterdam in 1632, this canvas, imbued with the beautifully rendered chiaroscuro technique popularized by Caravaggio, is an intricate, obscure, and mysterious work. Scholars have recently argued against the claim that the painting deals with a Philosopher meditating over his work – primarily because of the lack of iconographic elements usually associated with philosophical, alchemic or scholarly pursuits. This considered, the work is immensely popular and is often a pictorial representation of the aforementioned crafts. Instead, many have argued that the painting may depict the Biblical story of Tobit and Anna waiting for their son Tobias.

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