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Optional - receive your painting ready to hang. Note we are only able to ship framed paintings up to a certain size. Once the maximum size is reached, the framing option is automatically disabled. If ordered without a frame the painting will arrive rolled inside a protective tube with an extra 1.5" white canvas on all sides so you can easily frame it in any local frame shop.
In 1836, the English-American artist Thomas Cole sent his patron Luman Reed a letter saying that, even though he had been in the midst of painting The Course of Empire, his epic series comprised of five paintings retelling the trajectory of civilizations long gone, he had also been working on a truly American landscape exclusively for exhibition and sale. Although Cole was always very heavily patronized and, as such, didn’t really require producing extra paintings for sale, he said in his letters that he had been starting to feel a little burnt out from undertaking the herculean task that was The Course of Empire, especially considering how crowded the paintings were for someone who, like Cole, was traditionally a landscape painter. To guarantee the quality of the work hired by him, Cole’s Patron, Luman Reed, was the one to encourage the artist the most to take a break from the series of paintings and produce something that would be more in his comfort zone.
Another factor that influenced the production of this piece, named initially View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm, was Cole’s first professional travel to Europe in 1829 to 1832, then still as an engraver, a moment when he made an exact trace of the scene, published in Basil Hall’s Forty Etchings Made with the Camera Lucida in North America in 1827 and 1828. Hall had criticized the American art scene for failing to produce great portrayers of their scenery, mostly ignoring the lush wealth of American nature. Cole’s response was to create a view of the American countryside that blended the picturesque, the sublime, and the magnificent or, in other words, both used a picture of nature to further a view of society, lauded the incredible beauty of nature and found the beauty in the vast spaces of nature.
Painted in 1836, The Oxbow was then exhibited in the National Academy of Design in the same year, and is now in possession of the Metropolitan Museum of Art, both in New York. Showing the clash between the encroaching human influence that fells trees to make fields and the untouched nature, it is also one of the few paintings where Cole portrays himself, here seen in the very middle of the painting, looking at the observer on the border between nature and humanity.
Real Oil Paints, Real Brushes, Real Artists, Real Art. The Certificate of Authenticity which arrives with every painting provides an assurance and verifies the authenticity of the hand painted fine art reproduction you purchased. Each oil painting is created by hand using only the finest canvas and oil paints available.
Important Notes About Your Painting:
If you have any request to alter your reproduction of The Oxbow, you must email us after placing your order and we'll have an artist contact you. If you have another image of The Oxbow that you would like the artist to work from, please include it as an attachment. Otherwise, we will reproduce the above image for you exactly as it is.
Free shipping is included in the price of the painting. Once the painting is ready and dry enough to ship, we will roll it and ship it in a sturdy cardboard tube.
We always ship express via courier to ensure your order reaches you as soon as possible - normally within three business days. The total delivery time from the moment you place your order until the package is delivered to your door is normally between three to four weeks.
If, in the unlikely event you were dissatisfied with the painting after reviewing it in person, it can be returned for a full refund for up to 365 days after delivery.
When you receive the painting; you are free to return it for more revisions or else for a full refund minus our actual shipping cost -- which is, on average, $25 per painting.
1st Art Gallery provides a full warranty covering manufacturing and material defects for paintings purchased from our website. The warranty covers damage for normal use. Damage caused by incidents such as accidents or inappropriate use are not covered.
Depending on the degree of damage to the warranted painting, it will either be repaired or replaced. This warranty service is provided free of charge.
When purchasing a painting on its own, it will arrive rolled inside a secure tube with an extra 1.5" of white canvas on all sides so you can easily frame it in any local frame shop.
You may choose to purchase your painting framed, in which case, it will arrive "ready to hang". We offer more than 20 beautiful models, all hand finished and expertly assembled by our experienced framers.
Note that for safety reasons we can only frame up to a certain size. Once the maximum size is reached the framing option is automatically disabled.
If you are planning to frame your painting yourself,
use an existing frame, or frame it locally, you may choose to order your painting with a stretching service,
meaning that it will arrive mounted on wooden bars.
If you're considering not framing your painting at all, you may opt for a Gallery Wrap. The term Gallery Wrap refers to the way the canvas is stretched, which is by wrapping it around thick stretcher bars, about 1.5 inch thick, with the canvas being secured to the back rather than the sides of those bars.
All orders ship with UPS, FedEx or DHL and will arrive directly to your home or office. A tracking number will be emailed to you as soon as the order leaves our studio so you can track it online. All orders ship express and usually arrive within 4-5 days from the shipping date. Due to shipping restraints, many of our framed, stretched, and oversize paintings may take 6-21 days for arrival depending on the safest route determined by the postal service.